It’s 11am on Friday morning and there are some weird and wonderful psychedelic sounds emanating from a small, makeshift music studio in north London. Inside, Patricia Angol is playing the xylophone, Mui Tang is touching a Kaoss Pad – an audio effects unit – and Fathima Maharali is singing into a microphone. When they finish, their session leader, Jack Daley, fiddles on a computer, overlaying each musical section before playing it back. There are smiles and high-fives all round.
